insertion aria造句

• The insertion aria could replace an existing aria, or might be added to an opera.
• The piece is sometimes used as an insertion aria in the act 2 ball scene of Strauss'operetta " Die Fledermaus ".
• Where arias assigned to Luigia were too difficult for her to sing, Haydn wrote insertion arias for her, replacing the originals in performance.
• Franz Joseph Haydn composed two insertion arias for the work, one lost, the surviving aria, Dice benissimo, for bass & orchestra, H . 24b / 5.
• The first theme group's final flourishes then are extensively developed against a chromatically falling bass followed by a restatement of the end of the insertion aria then leading to C major for the recapitulation.
• Impresarios also took an active interest in insertion arias, working closely with singers to ensure good quality performances ( Poriss raises the question of what was the artwork nineteenth century audiences wanted to see : a performance, or a musical composition .)
• The opera used a performing edition by noted musicologist and " bel canto " expert Randolph Mickelson that made use of insertion arias from the original Neapolitan and Venetian versions and even from other obscure Rossini operas ( as of course Rossini himself commonly did ).
• Mozart wrote two other insertion arias for that occasion, " No, che non sei capace " ( I . 7 ) ( K . 419 ) and " Per piet? non ricercate " ( II . 4 ) ( K . 420 ); K . 418 and K . 419 were written for Mozart's sister-in-law Aloysia Weber, K . 420 for Valentin Adamberger, but that aria was not performed because of some intrigue initiated by Salieri.